Catherine Jepson
Multimedia Artist
Ink drawing that has turned into my personal logo.
Ink Drawing Published in the 13/14 Cow Creek Review
Photograph catching the rain droplets holding onto a forest of grass.
Black and white photograph with a play on shadows and perspective.
This is the first of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. This first image is a digital compilation of several photographs I have taken. The entire series was included in the group exhibit “Collective Independent’s” in the second floor gallery of PSU's Porter Hall in January 2014. Ambiguity 1 was published in the Cow Creek Review 13/14
This is a solar plate and the second of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. The last six works in the series represent how one image can be represented in many ways, it is almost metaphorical in how humans are all the same in flesh but our individuality sets us apart. Every element of each piece is unique to itself, including the way in which it is hung.
This is a solar print on handmade Kozo paper and the third of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. The last six works in the series represent how one image can be represented in many ways, it is almost metaphorical in how humans are all the same in flesh but our individuality sets us apart. Every element of each piece is unique to itself, including the way in which it is hung.
This is a solar print on handmade cottonwood paper and the fourth of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. The last six works in the series represent how one image can be represented in many ways, it is almost metaphorical in how humans are all the same in flesh but our individuality sets us apart. Every element of each piece is unique to itself, including the way in which it is hung.
This is a solar print on veneer and the fifth of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. The last six works in the series represent how one image can be represented in many ways, it is almost metaphorical in how humans are all the same in flesh but our individuality sets us apart. Every element of each piece is unique to itself, including the way in which it is hung.
This is a mixed media solar print and the sixth of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. The last six works in the series represent how one image can be represented in many ways, it is almost metaphorical in how humans are all the same in flesh but our individuality sets us apart. Every element of each piece is unique to itself, including the way in which it is hung.
This is a shadowbox and the seventh of the series "Ambiguity 1-7" that I developed in the Fall of 2013 during a printmaking independent studies course. The last six works in the series represent how one image can be represented in many ways, it is almost metaphorical in how humans are all the same in flesh but our individuality sets us apart. Every element of each piece is unique to itself, including the way in which it is hung.
Stomping Grounds includes cottonwood fibers that were harvested from my family's land and a solar print of the house I grew up in. The edition included seven prints, one for my father, my mother, each of my siblings, and me. A part of the group exhibit “Collective Independent’s” in the second floor gallery of PSU's Porter Hall in January 2014 Juried into the "NSEW: What Grew Us" exhibit at Middle Tennessee State University Gallery May 2014 Currently at the Pittsburg Public Library
This is a zinc print on handmade kozo paper. Published in the 12/13 Cow Creek Review
Altered book Accepted into the KACA Juired show and given special designation of "Material Mastery" by the Juror Paul Andrew Wandless Displayed in the Pittsburg Public Library
This is copper with an ammonia patina. This was published in the 13/14 Cow Creek Review and won the Editor's Art Prize